Эрик Кандель - Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней
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Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней читать книгу онлайн
164
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
165
Ibid., p. 53.
166
Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 127.
167
Пер. П. Мелковой. – Прим. пер.
168
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
169
Пер. П. Мелковой. – Прим. пер.
170
Ibid., p. 51.
171
Пер. П. Мелковой. – Прим. пер.
172
Hughes, R. The Shock of the New: Art and the Century of Change. 2nd ed. London: Thames and Hudson, 1991. P. 273.
173
Ibid., p. 276.
174
Zeki, S. Splendors and Miseries of the Brain. Oxford: Wiley-Blackwell, 2009. P. 39.
175
James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. P. 474.
176
Damasio, A. Descartes’ Error: Emotion, Reason and the Human Brain. New York: G. P. Putnam Sons, 1994. P. 129.
177
James, W. Principles of Psychology. Vol. 2. Mineola, NY: Dover Publications, 1950. Pp. 1066–1067.
178
Ibid., p. 449.
179
MacMillan, M. An Odd Kind of Fame: Stories of Phineas Gage. Cambridge, MA: MIT Press, 2000. P. 114.
180
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 27.
181
Dutton, D. D. The Art Instinct: Beauty, Pleasure, and Human Evolution. New York: Bloomsbury Press, 2009. P. 6.
182
Ibid.
183
Spurling, H. Matisse the Master: A Life of Henri Matisse: The Conquest of Colour 1909–1954. New York: Alfred A. Knopf, 2007. P. 26.
184
Gombrich, E. H., Hochberg, J., and M. Black Art, Perception, and Reality. Baltimore: Johns Hopkins University Press, 1972. P. 41.
185
Ibid.
186
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 149.
187
Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. Pp. 77–78.
188
Kanner, L. Autistic Disturbances of Affective Contact // Nervous Child 2 (1943): 217.
189
Ibid., p. 242.
190
Frith, U. Autism: Explaining the Enigma. Oxford: Blackwell, 1989. P. 80.
191
Пер. М. Лозинского. – Прим. пер.
192
Цит. по кн.: Ochsner, K. N., Bunge, S. A. Gross, J. J. and J. D. E. Gabrieli Rethinking Feelings: An fMRI Study of the Cognitive Regulation of Emotion // Journal of Cognitive Neuroscience 14, no. 8 (2002): 1215.
193
Mellars, P. Archaeology: Origins of the Female Image // Nature 459 (2009): 176.
194
Ibid.
195
Ibid., p. 177.
196
Aiken, N. E. The Biological Origins of Art. Westport, CT: Praeger, 1998. P. 169.
197
Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988. P. 44.
198
Tooby, J., and L. Cosmides Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts // SubStance 94/95, no. 30 (2001): 25.
199
Ramachandran, V. The Science of Art: A Neurological Theory of Aesthetic Experience // Journal of Consciousness Study 6 (1999): 49.
200
Ibid., p. 15.
201
Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993. P. 298.
202
Holton, G. The Scientific Imagination: Case Studies. London: Cambridge University Press. Pp. 231–232.
203
Podro, M. Depiction. New Haven: Yale University Press, 1998. P. VI.
204
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 300.
205
Gardner, H. Creating Minds. P. 36.
206
Sinha, P., Balas, B., Ostrovsky, Y., and R. Russell Face Recognition by Humans: Nineteen Results All Computer Vision Researchers Should Know About // Proceedings of the IEEE 94, no. 11 (2006): 1948.
207
В. Рамачандран, из неопубликованной переписки с коллегой.
208
Gardner, H. Five Minds for the Future. Boston: Harvard Business School Press, 2006. P. 80.
209
Ibid., pp. 80–81.
210
Д. Н. Смирнов (О тайнах творческого процесса в музыке // Музыкальная академия, 2002 (2): 39–48) указывает, что цитируемое письмо, приписываемое Моцарту, – подделка. Рус. пер. приводится по тексту указанной статьи, где написано, что он восходит к книге: Адамар Ж. Исследование психологии процесса изобретения в области математики. М., 1970. – Прим. пер.
211
Andreasen, N. C. The Creating Brain: The Neuroscience of Genius. New York: Dana Press, 2005. P. 40.
212
Ramachandran, V. A Brief Tour of Human Consciousness: From Impostor Poodles to Purple Numbers. New York: Pearson Education, 2004. P. 51.
213
Пер. Ю. Айхенвальда, сверенный и уточненный Т. Молчановой и Н. Трубниковой. – Прим. пер.
214
Schopenhauer, A. Essays and Aphorisms. London: Penguin Books, 1970. Pp. 123–124.
215
Gardner, H. Art, Mind, and Brain: A Cognitive Approach to Creativity. New York: Basic Books, 1982. P. 321.
216
Пер. А. Логвинской. – Прим. пер.
217
Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.
218
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 195.
219
Humphrey, N. Cave Art, Autism and the Evolution of the Human Mind // Cambridge Archeological Journal 8 (1998): 176.
220
Ibid., p. 171.
221
Здесь и далее цитаты из книги О. Сакса “Антрополог на Марсе” в пер. А. Николаева. – Прим. пер.
222
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 203.
223
Ibid., p. 206.
224
Ibid., p. 203.
225
Ibid., p. 206.
226
Пер. А. Свирид. – Прим. пер.
227
Gardner, H. Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books, 1993. P. 63.
228
Sacks, O. An Anthropologist on Mars: Seven Paradoxical Tales. New York: Alfred A. Knopf, 1995. P. 229.
229
Jamison, K. R. Touched with Fire: Manic-Depressive Illness and the Artistic Temperament. New York: Free Press, 1993. P. 55.
230
Jamison, K. R. Exuberance: The Passion for Life. New York: Vintage Books; Random House, 2004. P. 126.
231
Ibid., p. 127.
232
Miller, A. I. Insights of Genius: Imagery and Creativity in Science and Art. New York: Copernicus, 1996. P. 379.
233
Snow, C. P. The Two Cultures: A Second Look. New York: Cambridge University Press, 1963. P. 100.
234
Berlin, I. Concepts and Categories: Philosophical Essays. London: Hogarth Press, 1978. P. 159.
235
Greene, B. The Elegant Universe: Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory. New York: Vintage Books, 1999. P. 3.
236
Gould, S. J. The Hedgehog, the Fox, and the Magister’s Pox. New York: Harmony Books, 2003. P. 195.
237
Johnson, G. The Ten Most Beautiful Experiments. New York: Vintage Books, 2009. P. 17.
