Эрик Кандель - Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней
Помощь проекту
Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней читать книгу онлайн
76
Gay, P. Freud: A Life for Our Time. New York: W. W. Norton, 1998. P. 249.
77
Ibid., p. 250.
78
Kokoschka, O. My Life. New York: Macmillan, 1971. P. 66.
79
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 14.
80
Westheimer, R. The Art of Arousal. New York: Artabras, 1993. P. 147.
81
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 135.
82
Braun, E. Carnal Knowledge / In: Modigliani and His Models. London: Royal Academy of Arts, 2006. P. 45.
83
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 236.
84
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1.
85
Rodin, A. Art. Boston: Small, Maynard, 1912. P. 46.
86
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 215.
87
Ibid., p. 84.
88
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986. P. 14.
89
Greenberg, C. Modernist Painting. Washington, DC: Forum Lectures, 1960. Pp. 1–2.
90
Comini, A. Gustav Klimt. New York: George Braziller, 1975. P. 25.
91
Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984. P. 59.
92
Whitford, F. Gustav Klimt (World of Art). London: Thames and Hudson, 1990. P. 18.
93
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 101.
94
Kokoschka, O. My Life. New York: Macmillan, 1971. P. 33.
95
Ibid., p. 66.
96
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 25.
97
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. Pp. 37–38.
98
Ibid., p. 102.
99
Ibid., p. 38.
100
Kokoschka, O. The Dreaming Youths / In: Schorske, C. E. Finde-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 332–333.
101
Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.
102
Shearman, J. Mannerism (Style and Civilization). New York: Penguin Books, 1991. P. 81.
103
Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 75–76.
104
Ibid., p. 76.
105
Пер. П. Мелковой. – Прим. пер.
106
Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963. Pp. 277–278.
107
Здесь и далее цитаты из книги Э. Гомбриха “История искусства” в пер. В. Крючковой. – Прим. пер.
108
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. Pp. 429–430.
109
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
110
Ibid.
111
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 34.
112
Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 33–34.
113
Ibid., p. 31.
114
Ibid., p. 60.
115
Ibid., p. 37.
116
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
117
Berland, R. The early portraits of Oskar Kokoschka: A narrative of inner life // Image [&] Narrative [e-journal], 2007. См.: http://www.imageandnarrative.be/inarchive/thinking_pictures/berlandhtm.
118
Пер. В. Крючковой. – Прим. пер.
119
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 431.
120
Freud, L. Exhibition. L’Atelier, Centre Pompidou, Paris. April 2010.
121
Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. P. 44.
122
Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. P. 32.
123
Danto, A. C. Live flesh // The Nation, January 23, 2006.
124
Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. Pp. 65–68.
125
Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. Pp. 50–51.
126
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 234–235.
127
Persinger, C. Reconsidering Meyer Schapiro in the New Vienna School // Journal of Art Historiography 3 (2010): 1.
128
Arnheim, R. Art History and the Partial God // Art Bulletin 44 (1962): 75.
129
Empson, W. Seven Types of Ambiguity. New York: Harcourt, Brace, 1930. P. x.
130
Kuspit, D. A Little Madness Goes a Long Creative Way // Artnet, October 7, 2010. См.: http://www.artnet.com/magazineus/features/kuspit/franz-xaver-messerschmidt10-7-10.asp.
131
Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 11.
132
Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. ix. Princeton and Oxford: Princeton University Press, 1960
133
Kris, E., and E. Gombrich Caricature. Неопубликованная рукописть из архива Э. Гомбриха (Archive of E. H. Gombrich Estate, Warburg Institute, London). Цит. по: Rose, L. Psychology, Art, and Antifascism: Ernst Kris, E. H. Gombrich, and the Politics of Caricature. Неопубликованная рукопись, 2011.
134
King, D. B., and M. Wertheimer Max Wertheimer and Gestalt Theory. New Brunswick, NJ, and London: Transaction Publishers, 2004. P. 378.
135
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 15.
136
Henle, M. 1879 and All That: Essays in the Theory and History of Psychology. New York: Columbia University Press, 1986. P. 24.
137
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 40.
138
Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 5.
139
Ibid., p. 24.
140
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.
141
Novotny, F. Cezanne and the End of Scientific Perspective. Excerpts / In: The Vienna School Reader: Politics and Art Historical Method in the 1930s. C. S. Wood, ed. New York: Zone Books, 2000. P. 424.
142
Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 6.
143
Crick, F. The Astonishing Hypothesis: The Scientific Search for the Soul. New York: Charles Scribner’s Sons, 1994. P. 32.
144
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. Pp. 111, 132.
145
Zeki, S. Inner Vision: An Exploration of Art and the Brain. Oxford: Oxford University Press, 2001. P. 113.
146
Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 212.
147
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301.
148
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. Pз. 2–3.
149
Tsao, D. Y., and M. S. Livingstone Mechanisms of face perception // Annual Review of Neuroscience 31 (2008): 411.
150
Exploratorium Mona: Exploratorium Exhibit. См.: http://www.exploratorium.edu/exhibits/mona/mona.html.
151
Morton, J., and M. H. Johnson Biology and Cognitive Development: The Case of Face Recognition. Oxford: Blackwell Publishing, 1991.
152
Meltzoff, A. N., and M. K. Moore Imitation of Facial and Manual Gestures by Human Neonates // Science 198, no. 4312 (1977): 75–78.
Pascalis, O., de Haan, M., and C. A. Nelson Is face processing species-specific during the first year of life? // Science 296 (5571) 2002: 1321–1323.
153
Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.
154
Gelder, B., de Towards the neurobiology of emotional body language // Nature Reviews Neuroscience 7 (3) 2006: 242.
155
Mamassian, P. Ambiguities and conventions in the perception of visual art // Vision Research 48 (2008): 2149.
156
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 304.
157
Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism. Italy: Officina Libraria, 2010. P. 521.
158
Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1995. P. 190.
159
Slaughter, V., and M. Heron Origins and Early Development of Human Body Knowledge // Monographs of the Society for Research in Child Development 69, no. 2 (2004): 103–113.
160
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 100.
161
Ibid., p. 95.
162
Solso, R. L. Cognition and the Visual Arts. Cambridge, MA: MIT Press, 1994. P. 155.
163
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 7.
164
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
